Thursday, May 31, 2012

Every Disney Hero Has a Voice! Peter Pan - Bobby Driscoll

Every Disney Hero Has a Voice!

Peter Pan

Bobby Driscoll

March 3rd, 1937 – March 30th, 1968


Robert Cletus "Bobby" Driscoll (March 3, 1937 – March 30, 1968) was an American child actor known for a large body of cinema and TV performances from 1943 to 1960. He starred in some of The Walt Disney Company's most popular live-action pictures of that period, such as Song of the South (1946), So Dear to My Heart (1948), and Treasure Island (1950). He served as animation model and provided the voice for the title role in Peter Pan (1953). In 1950, he received an Academy Juvenile Award for outstanding performance in feature films.

In the mid-1950s, Driscoll's career began to decline, and he turned primarily to guest appearances on anthology TV series. He became addicted to narcotics and was sentenced to prison for drug use. After his release he focused his attention on the avant-garde art scene. In ill health from his drug use, and his funds completely depleted, he died in March 1968.

Early life

Born Robert Cletus Driscoll in Cedar Rapids, Iowa, Driscoll was the only child of Cletus Driscoll, an insulation salesman, and Isabelle Kratz Driscoll, a former schoolteacher. Shortly after his birth, the family moved to Des Moines where they stayed until early 1943. When a doctor advised the father to relocate to balmy California due to pulmonary ailments he was suffering from his work-related handling of asbestos, the family moved to Los Angeles. Driscoll's barber urged his parents to try to get the cute child into the movies, and the man's son, an occasional actor, got him an audition at MGM for a bit role in the 1943 family drama Lost Angel, which starred up-and-coming Margaret O’Brien. While on a tour across the studio lot, five-year-old Driscoll noticed a mock-up ship and asked where the water was. The director was impressed by the boy's curiosity and intelligence, and chose him out of forty applicants.


"Wonder Child"

Driscoll's brief, two-minute debut helped him win the role of young Al Sullivan, the youngest of the five Sullivan brothers, in the 20th Century Fox's 1944 World War II drama The Sullivans, opposite Thomas Mitchell and Anne Baxter. With his natural acting and talent for memorizing lines at that young age, he was soon considered a new "Wonder Child". One major studio recommended him to another, leading to screen portrayals as the boy who could blow his whistle while standing on his head in Sunday Dinner for a Soldier (1944), the "child brother" of Richard Arlen in The Big Bonanza (1944), and young Percy Maxim in So Goes My Love (1946), with Don Ameche and Myrna Loy. In addition, he had a number of smaller roles in movies such as Identity Unknown in 1945, and Mrs Susie Slagel's, From This Day Forward, and O.S.S. with Alan Ladd, all three of which were released in 1946.


Driscoll was the first actor Walt Disney put under contract, to play the lead character in 1946's Song of the South, which introduced live action into the producer's films, in addition to extensive animated footage. The film turned Driscoll and his co-star Luana Patten into child stars, and they were discussed for a special Academy Award as the best child actors of the year, but in 1947 it was decided not to present any juvenile awards at all.

Now nicknamed by the American press as Walt Disney's "Sweetheart Team", Driscoll and Patten starred together in So Dear to My Heart, opposite acting balladeer Burl Ives and veteran character actress Beulah Bondi. It was planned as Disney's first all live-action movie, with production beginning immediately after Song of the South, but its release was delayed until late 1948 to meet the demands of Disney's co-producer and long-time distributor RKO Radio Pictures for some animated content in the film.

Driscoll played Eddie Cantor's screen son in the 1948 RKO Studios musical comedy If You Knew Susie, in which he teamed up with former Our Gang member Margaret Kerry. He and Patten appeared with Roy Rogers and the Sons of the Pioneers in the live-action teaser for the Pecos Bill segment of Disney's cartoon compilation Melody Time, which was released in 1948.

Driscoll was "loaned" to RKO to star in The Window, based on Cornell Woolrich's The Boy Cried Murder. However Howard Hughes, who had bought RKO the previous year, considered the film unworthy of release and Driscoll not much of an actor, and delayed its release. When it was released in May 1949, it became a surprise hit and recouped a multiple of its production costs. The New York times credited Driscoll with the film's success:

"[...]The striking force and terrifying impact of this RKO melodrama is chiefly due to Bobby's brilliant acting, for the whole effect would have been lost were there any suspicion of doubt about the credibility of this pivotal character.[...] "The Window" is Bobby Driscoll's picture, make no mistake about it.[...]

So Dear to My Heart and The Window earned Driscoll a special Juvenile Academy Award in March 1950 as the outstanding juvenile actor of 1949.

Driscoll was cast to play Jim Hawkins in Walt Disney's version of Robert Louis Stevenson's Treasure Island, with British actor Robert Newton as Long John Silver, the studio's first all-live-action picture. The feature was filmed in the United Kingdom, and during production it was discovered that Driscoll did not have a valid British work permit, so his family and Disney were fined and ordered to leave the country. They were allowed to remain for six weeks to prepare an appeal, during which director Byron Haskin hastily shot all of Driscoll's close-ups, using his British stand-in to film missing location scenes after he and his parents had returned to California. Driscoll's work in this film earned him a star at 1560 Vine Street on the Hollywood Walk Of Fame.

Treasure Island was an international box office hit, and there were several other film projects involving Driscoll under discussion, but none materialized. For example, Haskin recalled in his memoirs that Disney, although interested in Robert Louis Stevenson's pirate story as a full length cartoon, always planned to cast Driscoll as Mark Twain's Tom Sawyer. At that point in time, he was at the perfect age for the role, but because of a story rights ownership dispute with Hollywood producer David O. Selznick, who had previously produced the property in 1938, Disney ultimately had to cancel the entire project. Driscoll was also scheduled to portray a youthful follower of Robin Hood following Treasure Island, again with Robert Newton, who would play Friar Tuck, but Driscoll's run-in with British immigration made this impossible.

Driscoll's second long-run Disney contract allowed him to be loaned to independent Horizon Pictures for the double role of Danny/Josh Reed in When I Grow Up (1951). His casting was suggested by Oscar-winning screenplay writer Michael Kanin.

In addition to his brief guest appearance in Walt Disney's first TV Christmas show in 1950, One Hour in Wonderland, Driscoll lent his voice to Goofy, Jr in the Disney cartoon shorts, Fathers are People and Father's Lion, which were released in 1951 and 1952, respectively.

Driscoll portrayed Robert "Bibi" Bonnard in Richard Fleischer's comedy The Happy Time (1952), which was based on a Broadway play of the same name by Samuel A. Taylor. Cast with acting veterans Charles Boyer, Marsha Hunt, Louis Jourdan, and Kurt Kasznar, he played the juvenile offspring of a patriarch in Quebec of the 1920s, the character upon whom the plot centered.

Driscoll's last major success, Peter Pan, was produced largely between May 1949 and mid-1951. Driscoll was cast opposite Disney's "Little British Lady" Kathryn Beaumont, in the role of Wendy Darling; he was used as the reference model for the close-ups and provided Peter Pan's voice, while dancer and choreographer Roland Dupree was the model for the character's motion. Scenes were played on an almost empty sound stage with only the most essential props, and filmed for use by the illustrators.

In his biography on Disney Marc Elliot described Driscoll as the producer's favorite "live action" child star: "Walt often referred to Driscoll with great affection as the living embodiment of his own youth [...]"However, during a project meeting following the completion of Peter Pan, Disney stated that he now saw Driscoll as best suited for roles as a young bully rather than a likeable protagonist. Driscoll's salary at Disney had been raised to $1750 per week and compared to his salary, Driscoll had little work from 1952 on. In March 1953, the additional two-year option Driscoll had been extended (which would have kept him at Disney into 1956) was canceled, just weeks after Peter Pan was released theatrically. A severe case of acne accompanying the onset of puberty and explaining why it was necessary for Driscoll to use heavy makeup for his performances on dozens of TV shows, was officially provided as the final reason for the termination of his connection with the Disney Studios.

TV and radio

Driscoll encountered increasing indifference from the other Hollywood studios. Still perceived as "Disney’s kid actor" he was unable to get movie roles as a serious character actor. Beginning in 1953 and for most of the next three years, the bulk of his work was on television, on such anthology and drama series as Fireside Theatre, Schlitz Playhouse of Stars, Front Row Center, Navy Log, TV Reader's Digest, Climax!, Fort Theatre, Studio One, Dragnet, Medic and Dick Powell’s Zane Gray Theater. In some special star-focusing series, he appeared with Loretta Young, Gloria Swanson, and Jane Wyman.

Between 1948 and 1957, he performed on a number of radio productions, which included a special broadcast version of Treasure Island in January 1951 and of Peter Pan in December 1953. And as it was common practice in this business, Driscoll and Luana Patten did promotional radio gigs (starting in late 1946 for Song of the South) and toured the country on various parades and charity events through the years.

In 1947 he recorded a special version of "So Dear to My Heart" at Capitol Records. In 1954 he was awarded a Milky Way Gold Star Award, chosen in a nationwide poll for his work on television and radio.


After leaving the Disney studios, Driscoll's parents withdrew him from the Hollywood Professional School which served child movie actors, and sent him to the public Westwood University High School instead. There his grades dropped substantially, he was the target of ridicule for his previous film career, and he began to experiment with drugs. He said later, "The other kids didn't accept me. They treated me as one apart. I tried desperately to be one of the gang. When they rejected me, I fought back, became belligerent and cocky — and was afraid all the time." At his request, Driscoll's parents returned him the next year to Hollywood Professional School, where in May 1955 he graduated.

However, his drug use increased. In an interview years later, he stated, "I was 17 when I first experimented with the stuff. In no time I was using whatever was available, ... mostly heroin, because I had the money to pay for it." In 1956, he was arrested for the first time for possession of marijuana, but the charge was dismissed. On July 24, 1956, Hedda Hopper wrote in the Los Angeles Times: "This could cost this fine lad and good actor his career." In 1957, he had only one television part, that of the loyal brother of a criminal immigrant in M Squad, a long-running crime series starring Lee Marvin.

In December 1956, Driscoll and his girlfriend Marilyn Jean Rush (occasionally misspelled as "Brush") eloped to Mexico to get married, to avoid their parents' objections. The couple was later re-wed in a Los Angeles ceremony that took place in March 1957. They had three children, but the relationship didn't last. They separated, then divorced in 1960.

Later roles

Driscoll began using the name "Robert Driscoll" to distance himself from his youthful roles as "Bobby" (since 1951, he had been known to friends and family as "Bob", and in Schlitz Playhouse of Stars - Early Space Conquerors, 1952, was credited as "Bob Driscoll"). He landed two final screen roles: with Cornel Wilde in the 1955 release The Scarlet Coat, and performing opposite Mark Damon, Connie Stevens and Frances Farmer in The Party Crashers (1958).

He was charged with "disturbing the peace" and "assault with a deadly weapon", the latter after hitting one of two hecklers with a pistol, who made insulting remarks while he was washing a girlfriend's car; the charges were dropped. Late in 1961 he was sentenced as a drug addict and imprisoned at the Narcotic Rehabilitation Center of the California Institution for Men in Chino, California. His last known appearances on TV were, among others, small roles in two single-season series: The Best of the Post, a syndicated anthology series adapted from stories published in The Saturday Evening Post magazine, and The Brothers Brannagan, an unsuccessful crime series starring Stephen Dunne and Mark Roberts. Both were originally aired on November 5, 1960.

When Driscoll left Chino in early 1962, he was unable to find acting work. Embittered by this, he said, "I have found that memories are not very useful. I was carried on a silver platter ... and then dumped into the garbage."

New York City

In 1965, a year after his parole expired, he relocated to New York, hoping to revive his career on the Broadway stage, but was unsuccessful. He became part of Andy Warhol's Greenwich Village art community known as The Factory, where he began focusing on his artistic talents. He had previously been encouraged to do so by famed artist and poet Wallace Berman, whom he had befriended after joining Berman's art circle (now also known as Semina Culture) in Los Angeles in 1956. Some of his works were considered outstanding, and a few of his surviving collages and cardboard mailers were temporarily exhibited in Los Angeles at the Santa Monica Museum of Art. In 1965, early in his tenure at The Factory, Driscoll gave his last known film performance, in experimental filmmaker Piero Heliczer's underground movie Dirt.


He left The Factory in late 1967 or very early 1968 and, penniless, disappeared into Manhattan's underground. On March 30, 1968, about three weeks after his 31st birthday, two boys playing in a deserted East Village tenement at 371 East 10th St found his body. The medical examination determined that he had died from heart failure caused by an advanced hardening of the arteries due to longtime drug abuse. There was no ID on the body, and photos taken of it and shown around the neighborhood yielded no positive identification. When Driscoll's body went unclaimed, he was buried in an unmarked pauper’s grave in New York City's Potter’s Field on Hart Island.

Late in 1969, about nineteen months after his death, Driscoll's mother sought the help of officials at the Disney studios to contact him for a hoped-for reunion with his father, who was near death. This resulted in a fingerprint match at NYPD, which located his burial on Hart Island. Although his name appears on his father's gravestone at Eternal Hills Memorial Park in Oceanside, California, it is merely a cenotaph since his remains still rest on Hart Island. Driscoll's death was not reported until the re-release of his first Disney film, Song of the South, in 1971/72, when reporters researched the whereabouts of the film's major cast members, and his mother revealed what had happened.


In February 2009, singer-songwriter Benjy Ferree released Come Back to the Five and Dime Bobby Dee Bobby Dee, a concept album based in part on Driscoll's life.

In September 2011, American singer-songwriter Tom Russell released the song "Farewell Never Neverland" on the album "Mesabi", an elegy for Bobby Driscoll as Peter Pan.

Selected filmography


The Fighting Sullivans
Al Sullivan as a child
Identity Unknown
Toddy Loring
So Goes My Love
Percy Maxim
Alternative title: A Genius in the Family
From This Day Forward
Song of the South
So Dear to My Heart
Jeremiah Kincaid
The Window
Tommy Woodry
Won Academy Juvenile Award
Treasure Island
Jim Hawkins
The Lux Video Theatre
Billy Crandall
Episode: "Tin Badge"
The Happy Time
Robert "Bibi" Bonnard
Peter Pan
Peter Pan
Voice and close-up model
The Scarlet Coat
Ben Potter
Episode: "Fear"
Episode: "The Secret of River Lane"
M Squad
Stephen/Steve Wikowski
Episode: "Pete Loves Mary"
Frontier Justice
Trumpeter Jones
Episode: "Death Watch"
The Millionaire
Lew Conover
Episode: "The Norman Conover Story"
Mike Hardesty
Episode: "Blind Alley"
The Brothers Brannagon
Episode: "The Twisted Root"
Produced by Andy Warhol


The Boy With a Cart
The boy
February 1954
Ah, Wilderness!
Richard Miller
August 1954 (Pasadena Playhouse)
Girls of Summer
May 1957 (Players Ring Theatre)

Radio shows

(This is not necessarily a complete list, it only displays all of those radio-shows, which could be located and verified until now).

Song of the South - Promo-Interview
Bobby Driscoll and Luana Patten, hosted by Johnny Mercer
Aired in late 1946
Song of the South - Promo-Interview
Bobby Driscoll, Luana Patten, Walt Disney and James Baskett, hosted by Johnny Mercer
Aired in late 1946
The Dennis Day Show (aka A Day in the Life of Dennis Day) - "The Boy Who Sang For A King"
Cecil (a little carol-boy)
Aired on December 25
Family Theater - "As the Twig is Bent"
Aired in February 1948
Family Theatre - "The Future is Yours"
Aired on February 19
Family Theatre - "Jamie and the Promise"
Aired on August 19
Family Theater - "A Daddy for Christmas"
Aired on December 15
Family Theater - "Mahoney's Lucky Day"
Aired on April 19 - hosted by himself
Hallmark Playhouse - "Knee Pants"
Aired on June 25
Movietown Radio Theater - "The Throwback"
Aired on July 6
Lux Radio Theater - "Treasure Island"
Jim Hawkins
Aired on January 29
Cavalcade of America - "The Day They Gave Babies Away"
Aired on December 25
Family Theater - "The Courtship of John Dennis"
Aired on April 8
Lux Radio Theater - "Peter Pan"
Peter Pan
Aired on December 10
Family Theater - "The Penalty"
Aired on October 12
Family Theatre - "Fair Exchange"
Aired on September 19
Family Theatre - "A Shot in the Dark"
Aired on August 7


Other notes
"So Dear to My Heart"
Jeremiah Kincaid
Capitol Records (CDF 3000) - narrated by John Beal
"Treasure Island"
Jim Hawkins
RCA Victor (Y-416) - narrated by Bobby Driscoll
"Treasure Island"
Jim Hawkins
Disneyland Records (DQ-1251) - condensed version of the original motion picture soundtrack - narrated by Del McKennon

Wednesday, May 30, 2012

A Trip Around the Disneyland Train Stations

A Trip Around the Disneyland Train Stations

There are four train stations on the Disneyland Railroad. In order they are the Main Street, New Orleans/Frontierland, Toontown/Fantasyland and Tomorrowland. Each is themed to fit into the land it is located in. You can get on or off at any station you wish. A round trip around the park takes 20 minutes.

To me the most interesting and best themed is the Main Street Station. This is the only station with an indoor area. All the others just have a covered waiting area. It is also the only station that is not handicapped accessible.

From the entry gates of Disneyland you see the working side of the station where the trains pull up to load and unload passengers. From the Main Street side you see a beautiful set of regal steps leading up to the beautiful station. It is a welcoming site looking like it belongs in 1910 small town America.

In the Main Street you will find antiques. As you walk in the door of the station straight ahead of you is a small 1/8 scale train. For a long time the train on display was Walt’s Lilly Bell. The Lilly Bell was Walt’s backyard train engine. When Walt died his family requested the train be returned to them. The Lilly Bell is not on display at Walt’s Carolwood Barn in Griffith Park, Ca. Now in the glass display cabinet is a replica of the Lilly Bell. If you look closely at the Lilly Bell then look at the big 5/8 scale Engine #1, C.K. Holiday you will see they are identical. The Holiday was designed to look like Walt’s Lilly Bell.

On the walls you will see pictures of Walt Disney playing with both the trains of Disneyland and his backyard trains. There are pictures of Walt with his Imagineers building both sets of trains. There are also display cases with memorabilia from Disneyland. There is a large antique music box. If you drop a dime in it still works!

There are three luggage racks hanging on the walls. They are ornate cast iron and look beautiful but are easy to just glance at and move on. While waiting for our Tender Ride a few weeks ago a guest walked through the train station past the bench we were waiting on to the line outside. The lady quickly returned and started laughing and calling to her friend that was outside. “It is! It is exactly what I though!” She was pointing at the luggage racks. She had a “First Visit” button on her shirt and spoke in an Australian accent. I quickly got up and walked up and ask her what she was excited about. She was almost jumping up and down with excitement at this point. “See the luggage rack there?” she pointed up at the rack high on the wall. “Do you see the ornate N.S.W.N. on side? That stands for New South Wales Railroad!” It turns out she collects antique railroad luggage racks and has a couple of N.S.W.R. racks at home! So Walt got these from Australia!

Also at the Main Street train station is the control center for the trains. It is one of three places in the park that has a computer readout of where each train is on the tracks. From this small control center the person in charge keeps the trains on schedule and separated at a safe distance.

The New Orleans Train Station (originally called the Frontierland before New Orleans Square was built) is equally beautiful in my opinion. There is no indoor area but the theming is fantastic. As you walk up to the loading/waiting platform you hear the clickity click of Morse Code coming from the Telegraph Office across the track. The Telegraph Office is receiving Walt Disney’s opening day speech. Some time ago the sound track for the NOTS was updated and cleaned up. The person doing the new audio did not know Morse Code and accidently cut the loop incorrectly messing up the speech. Several Armature Radio Operators (HAMS) were at the park waiting for the train and heard the Morse Code. When they realized the transmission made no sense they contacted Disneyland officials and asked what it was supposed to say. They offered to help redo the track and it is not back to correctly transmitting the speech. Alongside the Telegraph Office are other “buildings” suited to being at that station. One of the buildings is the break room for the train engineers. Besides the buildings there is a water tower. This water tower is functional and is used to refill the Tender Car with water when needed. They refill it every 2 hours or so in a normal operating day.

The Toontown Train Station (originally called Fantasyland) is next on the trip. This station has undergone changes over the years. Today it has luggage belonging to the Disney Toons (characters) sitting on the platform. You can easily identify Minnie’s bags along with others. There is a nonfunctional mini water tower there. There are no square edges at this station fitting with the toonish style of Toontown.

Tomorrowland Train Station is the most simple of the train stations. It is basically a loading platform. What is interesting about this train station is the gardens around it. You will find eatable plants around the station and the entire Tomorrowland area. This is the only place in the park where old meets new and you can catch the futuristic Monorail and the over 100 year old trains together.

After the Tomorrowland Station you get to go through the Grand Canyon diorama and Primeval World diorama before returning to the Main Street Station and the world of 1905-1910 Main Street America.