Wednesday, June 13, 2012

Every Disney Hero has a Voice, One Hundred and One Dalmatians Pongo and Perdita

Every Disney Hero Has a Voice
One Hundred and One Dalmatians
Pongo
Rod Taylor
January 11th, 1930
Perdita
Cate Bauer
August 27th, 1922
 

Rodney Sturt “Rod” Taylor

Rodney Sturt "Rod" Taylor (born 11 January 1930) is an Australian actor of film and television. He has appeared in over 50 films, and is well known for his roles in the science fiction film The Time Machine (1960), and in the Alfred Hitchock horror movie The Birds (1963).

Early life

Taylor was Born on 11 January 1930 in Lidcombe, a suburb of Sydney, the only child of William Sturt Taylor, a steel construction contractor and commercial artist, and the former Mona Thompson, a writer of more than a hundred short stories and children's books. His middle name comes from his great-great grand uncle, Captain Charles Sturt, a British explorer of the Australian Outback in the 19th century.
Taylor attended Parramatta High School and later studied at the East Sydney Technical and Fine Arts College. For a time he worked as a commercial artist, but decided to become an actor after seeing Laurence Olivier in an Old Vic touring production in Australia.

Career

Australia

Taylor acquired extensive radio and stage experience in Australia where his radio work included a period on Blue Hills and a role as Tarzan. Earlier in his career he had to support himself by working at Sydney's Mark Foys department store designing and painting window and other displays during the day. In 1951 he took part in a re-enactment of Charles Sturt's voyage down the Murrumbidgee and Murray Rivers, playing Sturt's offsider, George Macleay. A short documentary, Inland with Sturt (1951), was based on it. Taylor also appeared in a number of theatre productions for Australia's Mercury Theatre.
Taylor made his feature film debut in the Australian Lee Robinson film King of the Coral Sea (1954), playing an American. He later played Israel Hands in a Hollywood-financed movie shot in Sydney, Long John Silver (1954), an unofficial sequel to Treasure Island. Following these two films, Taylor was awarded the 1954 Rola Show Australian Radio Actor of the Year Award, which included a ticket to London via Los Angeles; but Taylor never made it to London.

Hollywood

Taylor soon landed roles in television shows such as Studio 57 and the films Hellon Frisco Bay (1955) and Giant (1956). In 1955, he guest-starred in the third episode ("The Argonauts") of the first hour-long western television series, Cheyenne, an ABC program starring Clint Walker. Taylor and Edward Andrews played gold seekers Clancy and Duncan, respectively, who are best friends until they strike it rich, only to see Native Americans release their gold dust to the wind. The episode was a remake of the film Treasure of the Sierra Madre (1948). Taylor was considered for one of the leads in Warner Bros. Television’s Maverick.
Towards the end of 1955, Taylor unsuccessfully screen tested to play boxer Rocky Graziano in MGM’s Somebody Up There Likes Me but his use of a Brooklyn accent and physical prowess in the test impressed the studio enough to gain him a long-term contract. At MGM he played a series of support roles in The Catered Affair, Raintree County (1957) and Ask Any Girl (1959). He had a significant role in Separate Tables (1958), which won Oscars for two of its stars, David Niven and Wendy Hiller. He also made a strong impression guest starring in "And When the Sky Was Opened" (1959), an episode of The Twilight Zone.

Stardom

Taylor's first leading role in a feature film was George Pal's adaptation of H. G. Wells science-fiction classic The Time Machine (1960)
In the 1960–61 television season, Taylor starred as foreign correspondent Glenn Evans in the ABC dramatic series Hong Kong. His principal co-star was Lloyd Bochner. The program faced stiff competition on Wednesday evenings from NBC’s Wagon and only lasted one season. He voiced Pongo the Dalmatian in Disney's animated One Hundred and One Dalmatians (1961), and also guest-starred on Marilyn Maxwell's short-lived ABC series Bus Stop (also 1961). In 1962, he starred in an episode of The DuPont Show of the Week (NBC) ("The Ordeal of Dr. Shannon"), an adaptation of A. J. Cronin's novel, Shannon’s Way. Taylor starred in Alfred Hitchcock's horror/thriller The Birds (1963) with Tippi Hedren, Jessica Tandy and Suzanne Pleshette.
During the mid-60s, Taylor worked mostly for MGM, where his credits included Sunday in New York (1963), Fate Is the Hunter (1964), 36 Hours (1965), Young Cassidy (1965), The Liquidator (1965) and The Glass Bottom Boat (1966). He began to change his image towards the end of the decade to more tough guy roles such as Chuka (which he also produced, 1967), Dark of the Sun (aka The Mercenaries, 1968), Nobody Runs Forever (1968) and Darker than Amber (1970).
He was also reportedly up for the role of Caucasian martial artist Roper in the Bruce Lee vehicle Enter the Dragon (1973). The film was directed by Robert Clouse, who had also directed Taylor in the 1970 film, Darker than Amber. However, Taylor was supposedly deemed too tall for the part, and the role instead went to John Saxon.

Later career

In the 1970s, Taylor turned again to television. He starred in Bearcats! (1971) on CBS and in The Oregon Trail (1976) on NBC. He had a regular role in the short-lived spy drama series Masquerade (1983), and played one of the leads in the equally short-lived series Outlaws (1986). From 1988 to 1990, Taylor appeared in the CBS drama series Falcon Crest as Frank Agretti, playing opposite Jane Wyman. In the mid 1990s, he appeared in several episodes of Murder, She Wrote and Walker, Texas Ranger.
In 1993, he hosted the documentary Time Machine: The Journey Back. At the end of the special came a mini-sequel, written by David Duncan, the original writer of the George Pal film. Taylor recreated his role as George, reuniting him with Filby (Alan Young).
Taylor returned to Australia several times over the years to make films, playing a 1920s travelling showman in The Picture Show Man (1977), and a paid killer in On the Run (1983). In 1997, he played the foul-mouthed redneck "Daddy-O" in the black comedy Welcome to Woop Woop.
Taylor came out of retirement for the small but important role of Winston Churchill in Quentin Tarantino’s Inglourious Basterds (2009). In preparation for the role, Taylor watched dozens of DVDs with footage of Churchill in order to get the Prime Minister's posture, body language, and voice, including a lisp, correct.

Personal life

Married to third wife Carol Kikumura since 1980, Taylor is the father of CNN financial reporter Felicia Taylor (born 1964), from his acrimonious second marriage to model Mary Hilem (1963–69). His first wife was model Peggy Williams (1951–54).
He now lives in New York City.

Filmography

  • King of the Coral Sea (1954) (film debut)
  • Long John Silver (1954)
  • The Virgin Queen (1955)
  • Hell on Frisco Bay (1955)
  • Top Gun (1955)
  • World Without End (1956)
  • The Catered Affair (1956)
  • Giant (1956)
  • Raintree County (1957)
  • Separate Tables (1958)
  • Step Down to Terror (1958)
  • And When the Sky Was Opened (1959)
  • Ask Any Girl (1959)
  • The Time Machine (1960)
  • Colossus and the Amazon Queen (1960)
  • One Hundred and One Dalmatians (1961) (voice)
  • Seven Seas to Calais (1962)
  • The Birds (1963)
  • A Gathering of Eagles (1963)
  • The V.I.P.s (1963)
  • Sunday in New York (1963)
  • Fate Is the Hunter (1964)
  • 36 Hours (1965)
  • Young Cassidy (1965)
  • The Liquidator (1965)
  • Do Not Disturb (1965)
  • The Glass Bottom Boat (1966)
  • Hotel (1967)
  • Chuka (1967)
  • Dark of the Sun (1968)
  • Nobody Runs Forever (1968) (aka The High Commissioner)
  • The Hell with Heroes (1968)
  • Zabriskie Point (1970)
  • Darker than Amber (1970)
  • The Man Who Had Power Over Women (1970)
  • Powderkeg (1971) (TV)
  • Family Fight (1972) (TV)
  • The Train Robbers (1973)
  • Gli eroi (1973) (aka The Heroes)
  • Trader Horn (1973)
  • The Deadly Trackers (1973)
  • Hell River (1974) (aka Partizani)
  • Blondie (1975)
  • A Matter of Wife... And Death (1976) (TV)
  • The Oregon Trail (1976) (TV)
  • The Picture Show Man (1977)
  • The Treasure Seekers (1979)
  • Cry of the Innocent (1980) (TV)
  • A Time to Die(1983)
  • On the Run (1983)
  • Terror in the Aisles (1984)
  • Mask of Murder (1985)
  • Half Nelson (1985) (TV)
  • Marbella, un golpe de cinco estrellas (1985)
  • Danielle Steele’s ‘Palomino’ (1991) (TV)
  • Grass Roots (1992) (TV)
  • Point of Betrayal (1995)
  • Open Season (2006)
  • Welcome to Woop Woop (1998)
  • Warlord: Battle for the Galaxy (1998) (TV)
  • KAW (2007) (TV)
  • Inglourious Basterds (2009)

TV series

As regular

Taylor has had several lead roles in television, from the early 1960s to the early first decade of the 21st century. Among his TV shows as a regular are:
  • Hong Kong with co-star Lloyd Bochner (1960, ABC)
  • Bearcats! (1971, CBS)
  • The Oregon Trail as Evan Thorpe, a widower taking his three children from their Illinois farm to the Pacific Northwest by way of the Oregon Trail (1977, NBC)
  • Masquerade (1983)
  • Outlaws (1986)

Guest appearances

  • Studio 57 (1955) – "The Last Day on Earth", "The Black Sheep's Daughter"
  • Lux Video Theatre (1955) – "Dark Tribute", "The Browning Version"
  • Cheyenne (1955) – "The Argonauts"
  • Suspicion (1957) – "The Story of Marjorie Reardon"
  • Schlitz Playhouse of Stars (1958) – "A Thing to Fight For"
  • Studio One (1958) – "Image of Fear"
  • Lux Playhouse (1958) – "The Best House in the Valley"
  • Playhouse 90 (1958–59) – "Verdict of Three", "The Great Gatsby", "The Long March", "The Raider", "Misalliance"
  • The Twilight Zone (1959) – "And When the Sky Was Opened"
  • Zane Grey Theater (1960) – "Picture of Sal"
  • Goodyear Theatre (1960) – "Capital Gains"
  • General Electric Theater (1960) – "Early to Die", "The Young Years"
  • Westinghouse Desilu Playhouse (1960) – "Thunder in the Night"
  • Bus Stop (1961) – "Portrait of a Hero"
  • The DuPont Show of the Week (1962) – "The Ordeal of Dr. Shannon"
  • Walker, Texas Ranger
  • Murder, She Wrote
  • Falcon Crest

Documentaries

  • Inland with Sturt (1951)
  • The Fantasy Film Worlds of George Pal (1985)
  • Time Machine: The Journey Back (1993)
  • All About the Birds (2000)
  • Not Quite Hollywood (2008)

Cate Bauer
Cate Bauer (born 27 August 1922 in London, England) is a British actress who voiced the character Perdita in the 1961 film One Hundred and One Dalmatians. She also played Miss Hidwick in the series The Third Man in the episode How To Buy A Country

Tuesday, June 12, 2012

Radiator Springs Racers (RSR)


Radiator Springs Racers (RSR)

The most anticipated attractions of the new Disney California Adventure expansion is Radiator Springs Racers. As hard as I tried I did not get a preview of the new area and attractions. So I’ll share what friends that have seen it and the net has to say about Radiator Springs Racers.
RSR is the same style ride as Test Track in EPCOT. Where TT takes you through a car testing facility RSR will take you through your favorite little town in Ornament Valley and then for a wild race after your visit with the towns folk.
Anticipate long lines for this ride for next few years. I suggest when you get to the park go straight to RSR and get a Fastpass. If the line is short then ride it then and come back again when it’s time to use your Fastpass.
In my opinion the DCA RST will be much better than the EPCOT TT. From what I’ve seen the theming will be much more engaging and entertaining and better fitted to a Disney Park than TT. Yes, I’ve ridden TT and enjoyed it very much. In fact I have a picture of my family riding TT, including my 80+ year old mother.
Here is some more information from http://en.wikipedia.org
Radiator Springs Racers is a slot car dark ride attraction currently under testing (Opening June 15th) that will be part of Cars Land at Disney California Adventure Park. The attraction will feature third-generation Test Track technology, an attraction located at Epcot in Walt Disney World. Radiator Springs Racers will be themed based on the world from Disney/Pixar’s Cars. The attraction will be the most expensive to be built in the entire Disneyland Resort, one of the most expensive attractions Disney has ever built, and one of the most expensive theme park attractions in the world at an estimated cost of over $200 million, which will take up about 18% of the entire cost of the $1.1 billion expansion plan for Disney California Adventure Park. The attraction will take guests in a six-person vehicle through a briefing with Doc and Lighting McQueen, characters from the movie Cars. Suddenly, guests will find themselves racing another guest vehicle through hairpin turns and steep banks, ending with a random race result.
History
The attraction, along with the rest of the Disney California Adventure multi-year expansion, was announced on October 17, 2007. However, the first indication of the attraction and the new land was some concept art published in the Dreaming section of The Walt Disney Company's 2006 annual report. By late 2009, construction on the attraction and the land within had begun, taking 2.5 years to build. Ride testing began in early 2012 with soft openings beginning in the spring. On March 7, 2012, it was announced that the area would officially open to the public on June 15, 2012. Radiator Springs Racers will be one of the most expensive attractions ever constructed in the Walt Disney Company's history.
Ride
At the "What's Next?" presentation at Disney California Adventure Park on June 11, 2010, Imagineer Kathy Mangum gave a brief rundown of the storyline for the attraction.
Guests board their ride vehicle and are taken on an idyllic drive through Ornament Valley Range. The vehicle enters the dark ride portion of the attraction as guests nearly run into several Audio-animatronic characters. As the vehicle swerves out of the way, it encounters the Sheriff who appears as if he is going to issue a speeding ticket, but instead is impressed with the driving skills and invites the car to the town's big race. Before the race can begin, though, Mater has to take the vehicle for a round of tractor tipping. Suddnely, Frank the Tractor wakes up and chases the trespassers off of his farm. On the way back into town, the vehicle is prepared for the race. At this point, the vehicle will either turn into Luigi's Casa Della Tires for a tire change or into Ramone's House of Body Art for a quick paint refresh. From there, the two vehicles sit idle to one another at the starting point. After Luigi's word, the race begins through the remaining out-door portion of the attraction reaching the ride's top speed of over 40mph. The race finishes after the vehicles drop a sloped bank where guests have their on-ride photo taken.
Voice cast
  • Owen Wilson as Lighting McQueen
  • Larry the Cable Guy as Mater
  • Michael Wallis as Sheriff
  • Corey Burton as Doc Hudson
  • Cheech Marin as Ramone
  • Tony Shalhoub as Luigi
  • Bonnie Hunt as Sally Carrera
  • Guido Quaroni as Guido
  • Jenifer Lewis as Flo
  • Paul Dooley as Sarge
  • Lloyd Sherr as Fillmore
  • Richard Kind as Van
  • Edie McClurg as Minny
  • John Ratzenberger as Mack
Michael Wallis and Cheech Marin provide guests with the Disney Parks safety spiel in English and Spanish, respectively.

Monday, June 11, 2012

Excitement Is Building at the Disneyland Resort!


Excitement Is Building at the Disneyland Resort!

 

Disneyland Resort is opening two new areas on Friday, June 15th! Disney California is expanding by a fun filled 12 acres! Add to that the new entrance area, Buena Vista Street is being opened and the park rededicated and California Disney Fans are going CRAZY!!

Cars Land

Cars Land will have three new exciting rides. Radiator Springs Racers, Luigi’s Flying Tires and Mater’s Junkyard Jamboree. There are also several gift shops and restaurants such as Flo’s V8 Dinner and Sarges Surplus Hut. From the pictures I’ve seen it looks like you are walking right into Radiator Springs from Cars!

Radiator Springs Racers is a fun and exciting ride through the Cars Land movies. You will meet some of your favorite characters as you race down Route 66. This ride works on the same idea as EPCOT’s Test Track but it is a totally different ride.

Luigi’s Flying Tires is an updated version of a ride that lasted a very short time at Disneyland. Luigi has his tires out and filled with air so you can jump in and flip, slide around. Beach balls are provided for tossing around. You direct your tire by leaning in the direction you wish to go. This ride is a reworking of the Flying Saucers. Flying Saucers was a fun ride I do remember riding as a young child. Luigi’s Flying Tires is a lot like the Flying Saucers but the ride vehicles look bigger and there is more air to push them around. Hopefully they will not break down as much often as the Saucers did.

Mater’s Junkyard Jamboree is a whip type ride. Mater has gathered baby tractors and hooked up carts. Guests get into the carts and Mater calls out square dancing moves for the tractors to do. You are pulled around and whip all over the place as the “dance” goes on.

All three rides are handicapped accessible. You will need to transfer out of your wheelchair and back again for all the rides. They have special loading locations and/or vehicles to make it easier for those in wheelchairs to load.

Buena Vista Street

Buena Vista Street is the new entrance area to DCA. The entire area harkens back to 1920’s Hollywood, California. When you walk into DCA you will be taken into Hollywood at the time Walt Disney came to California and started the Disney Brother’s Studio. From the Art Deco style buildings to the Spanish tile roofs the area really pulls you back into time.
Central to Buena Vista Street will be the Storytellers Statue. This is a beautiful statue of a young and excited Walt Disney with Mickey Mouse standing next to him. It shows Walt’s enthusiasm for the future when he reached Hollywood.
There is the new Carthay Circle Theater Restaurant. In the same building as the Carthay Circle Restaurant there is Club 1901 sister club to Disneyland’s Club 33.
Around the area you will find period characters such as Molly the Messenger. They will be glad to stop and take a picture with you or just chat for a moment. All the shops and restaurants have been reimagined.
The Red Car Street Car will once again roll down the street. It will run down Buena Vista Street and into Hollywood Land giving you an easy way to get from the entrance area to Tower of Terror.
With the opening of these two areas I think Disney California Adventure will finally come into its own. It will no longer be “that other park” you go to when you go to as an “and also” or you are forced to go because Disneyland is closed due to crowds.
As I’ve said before I think the changes made over the last five years with the retheming of some rides and areas and the addition of the Little Mermaid along with the two new areas the entire park is more closely tied together.
The entire feel of the park is 1920-40s. This era was some of the biggest and most exciting for Disney. From the opening of the Disney Brothers Studio and the creation of Mickey Mouse in the 20’s to Snow White in the 30’s with the heady days of the 40’s and even more feature length animated movies and the Silly Symphony shorts. Yes, Cars Land is more modern with “New” cars but once again it takes you back to the old Route 66 and a look at the life of a little town there frozen in time.
The one concern I have about all of the fantastic changes being completed right now is crowds. It is possible to be too successful and do too good of a job. If the new areas are even half as exciting and popular as I think they will be the park may draw more people than it can hold. Disneyland, the Granddame of the parks may well become the “and also” park. There could be more days than not that both parks reach capacity and the gates must close effectively shutting down the entire Disneyland Resort for those not already in the parks. It would eliminate park hopping because the “other park” may well be closed by the time you wish to hop.
If I am right about the entire resort reaching capacity most if not every day during peak seasons people will stop trying to come. The annual vacation to Disneyland will become a thing of the past because you cannot make sure, even if you are at one of the Disney Hotels you will be able to enter one of the parks let alone the park of your choice.

Sunday, June 10, 2012

Annual Passholder View of Disney Parks


Annual Passholder View of Disney Parks

Ok, I know I’ve been talking a lot about the price hikes of the Annual Passes at DLR and WDW. Still if you are a local to either of the parks and enjoy Disney I feel they offer you a different view of Disney.

Here is the difference between going to the park with a one or limited multiple day pass and going to the park with an Annual Pass.

If you have a limited amount of time at the parks you are going to try to get to as many rides or shows as you can. Often a Day Tripper, as I call them does not even know the parks have shows. You rush around making sure to hit all the E Ticket rides and attractions as you can and skipping the A and B ticket attractions altogether. Day Trippers will often just walk past fantastic entertainment that just pops up around the parks on the streets or small and even portable stages.

Annual Passholders have a different view. You can usually tell an AP from a Day Tripper by the way they walk the park. While the Day Tripper is power walking and herding the kids quickly from one thing to the next you see the Passholder strolling down the path and maybe even just sitting, people watching enjoying a Dole Whip or Mickey Bar. Many Passholders I know will see one parent taking pictures of the rest of the family and offer to take the picture for them so they can have a picture of the entire family together. Once again it does not matter if they take a moment to help a another guest get more of the Magic.

Passholders know if they don’t see it today they can see it next time. They look for what is there for a limited time and go for that first, if they are interested in it. Passholders have seen the all E Ticket rides and go explore the lesser attractions and shows or hit the new things.

Passholders learn the ins and outs of the park and enjoy showing their Day Tripper friends around and don’t mind waiting for things so the Day Tripper came with them can see it.

I know when we go we talk either in the days before we have planned to go or on the way to the park about what rides/shows we wish to see that day. We also talk about what pictures we want to take or if maybe today we will go walk around one of the hotels or Downtown Disney. This visit may be a day just to wonder the shops. We set a “goal” for the day.

Sometimes our goals are holiday or event related. Always the goal is to spend time together and with friends. We go to see holiday decorations around the park and catch the characters in their various holiday attire. Some days we choose to see shows/rides we have not done in a while. Ever considered getting excited to see Storybookland Canal Boats when you don’t have little kids? Well some days we do! Frequently we choose to just walk around the park and enjoy the beauty that is Disney.

No matter what you can always enjoy Disney with an Annual Pass. You can go from park opening to closing or just for a few hours. It does not matter.

Saturday, June 9, 2012

How to Resolve a Problem with Disneyland


How to Resolve a Problem with Disneyland



Disneyland offered a limited number previews of Cars Land to the Annual Passholders. This is a typical thing for them to do when they open a new ride or area. The limited previews allows Cast Members to have a chance to learn how the attraction runs with guests. It does this with guests that know the park and general rules along with having fewer guests. It also gives them people to test the rides before going “live” so they can make any changes they many need to..



Here is the problem. Disney is only offering one day of very limited free previews of Cars Land. They are offering a pay event to benefit CHOC (Children’s Hospital of Orange County). The price is $50 for just time in Cars Land and a special AP only showing of World of Color. $70 gets you the preview and reserved area seating of WoC. $500 gets you dinner with John Lesseter and some of the Disney Family. With the price hike of $150 for a Premium Annual Pass families can no longer afford the pass let alone to spend extra for a preview.



I personally know of more than 20 Annual Passholders that did not get accepted to the free preview event. In fact I don’t think any of the 20 know of anybody outside of the group personally that has gotten the preview. Instead of adding another free event they sent notices saying we could purchase tickets to the pay event. This tells me that the pay event is not drawing people. I am correct in my assumption that people can’t afford it in the current economy and with the outrageous price hike. Disney is trying to force people to go to the pay event and it is not working. It is insulting the long time Annual Passholders.



Here is the correspondence that has gone between Disney and me. I suggest if you are an Annual Passholder you join in and write. The more letters they receive the more likely they will change the disrespectful way they are treating the loyal Annual Passholders.


Original letter by me



Wonderful Disney!!

You raise the AP rates an outrageous amount and then expect us to just
fork over more money to go to special events. I don’t think so!! Nobody
I know got preview passes for Cars Land. That is crazy with the fact I'm talking
over 20 people!

Forget the money you would have gotten if we went to the for pay
preview. Forget the money we would have spent in the parks on
merchandise. We can’t afford it now because we are trying to be able to
just get into the parks! APs DO SPEND!! We buy food, pins, clothing,
bags, and other collectables. Many are also DVC members. You are turning
us and so many more away.

What you are failing to consider is the APs go out and bring in others!
People walk up to us and say, “How can you go to Disneyland so often!”
even if that is only once a month. We respond with, “It’s Magical! There
is always something special to see and the CMs are amazing! Come with us
and see it as we do.” Many come with us and turn around and become loyal
to Disney vacations. Stop burning us and reconsider your price increase
and rethink and maybe add another preview day to show us you respect us.



Responce by Disneyland



Dear Ms. Hoagland:

Thank you for your e-mail to the DISNEYLAND® Resort regarding the Annual
Passholder Preview Sweepstakes. This event was designed for a limited
amount of selected Annual Passholders. Due to the limited capacity, we
were not able to invite all DISNEYLAND® Resort Annual Passholders, and
the winners were selected randomly.

As we continue to test new concepts specifically designed to enhance the
Annual Passport program, we hope to be able to offer additional
opportunities like this event to our passholders in the future. In
fact, tickets and packages for a park preview are available for purchase
now at disneyland.com/aphappier. This event benefits Children's Hospital
Orange County (CHOC) and the Anaheim Community Foundation. We encourage
you to take advantage of the many other benefits that our Disneyland
Resort Annual Passholders enjoy throughout the year including special
merchandise, discounts, and hotel rates. And, be sure to visit DISNEY
CALIFORNIA ADVENTURE® Park after June 15 to experience all the new
offerings in Cars Land and Buena Vista Street!

Once again, thank you for your interest. Please check Disneyland.com/ap
often for more information on the DISNEYLAND® Resort Annual Pass
program, news and events.

Sincerely,



What I sent 6/7/12



I would like to personally thank you for the dispassionate, impersonal form letter that you sent back to me. It is quite obvious that you did not fully read my letter or just don’t care about what I had to say. If you had you would have actually responded to my real concerns. We, the Disney fans that have made your company a multibillion dollar a year business are truly amazed at the sheer greed, disrespect and impersonal service that this type of response shows. I know I’m not alone and I speak for many.

I wrote a truly heart felt and personal letter expressing the average Annual Passholder concerns and frustrations caused by how you are treating the Annual Passholders at this time. You could have at least chosen a form letter that expressed some level of personal interest in and addressed my concerns. My main point was most Annual Passholders can’t afford to pay for the special preview of Cars Land and you say, “As we continue to test new concepts specifically designed to enhance the Annual Passport program, we hope to be able to offer additional opportunities like this event to our passholders in the future. In fact, tickets and packages for a park preview are available for purchase now at disneyland.com/aphappier.” How is that a response to my comment? It is not a real response it is an ad for the paid preview that I was complaining about!

I think it is great you are raising funds for such a worthy cause as CHOC. I think that the Disney Fans at large would be interested in what percent of the proceeds are going to CHOC and how much is going to feed Disney Greed. Still again this does not address the fact that due to your obscene price hike on the Annual Pass the majority of Passholders cannot afford to be generous to CHOC by paying for the preview. That is the point I tried to make in my original letter! People can’t afford it! When so few get the free event and so many are forced to choose between paying or not getting to see it early it makes the average Annual Passholder feel insulted and undervalued as a customer (and no longer a welcomed guest).

You should have added one or more free preview days for Annual Passholders as well as offering the chance to donate. Give us the options! If you had offered a $10 paid event with short lines and a 2-3 hour window to check out the new areas and nothing else added you could have raised even more for CHOC! $10 per person when it is going to such a good charity and you get such a fantastic perk as a preview of Cars Land is doable in the current economy to most families! Many would and could have done it! $50 plus per person is not doable by as many, proven by the fact you still have tickets. It also cost you more to do the more expensive events! You could still have offered a limited number of the more expensive options for those that could afford it as well! Again you would have kept the average AP happy and raised much more for CHOC!

Walt Disney wanted to build a place where families could go and enjoy doing things together. The prices you charge today, and the way you are trying to nickel and dime the Annual Passholder and average guest make it so many families cannot go to Disneyland or any other Disney park. You say you have researched and feel your prices are a good value and comparable with other theme/amusement parks. Excuse me but when a person can purchase annual passes to Knott’s Berry Farm, Universal Studio, Six Flags Magic Mountain, Sea World and the San Diego Zoo and still not spend what we would on a Premium Annual Pass at Disneyland how is that a good value. How is the Disneyland’s Annual Pass such a good value? In truth I would rather be at Disneyland than any of those other parks but you are pricing us out. Up to this current increase I’ve told people what an outstanding value the Annual Pass is and how much I value it. As much as it saddens us my family may just have to find other places to spend our limited entertainment money if things continue as they are at Disney. We will take our friends and family along with us as well because they also can no longer afford Disney prices or arrogance.

Once again, I say you have made it clear you are trying to push the Annual Passholders out of the parks. Your poor planning when you chose to add to DCA is no reason to gouge the Annual Passholder. You should have stopped selling new Annual Passes a year or two ago and only allowed renewing of existing passes if you needed to reduce the number of APs because of possible overcrowding of the parks. Disney is the king of crowd control and anticipating flow, you most of known of the impending crowd issues and you also must have chosen to not be proactive in handling it.

You say that the expansion of DCA with Cars Land justifies the drastic increase. I say you are wrong. It does justify some increase, maybe $40-50 for the Premium level but you will be adding space to the park increasing capacity in DCA. Also more people coming in the gates because of Cars Land and the other improvements. DCA has never reached its true potential with crowds. Therefore, DCA has not been the money maker it could/should have been. With the addition of Cars Land you will have bigger crowds. Bigger crowds means more ticket, merchandise and food sales, that I’m sure will cover most if not all of the extra expense of running the new area. APs will also be spending to purchase the new Cars Land Merchandise and check out the new food locations.

Once again, thank you for your non-interest in your Annual Passholders feelings and opinions. Please feel free to contact me, read your Disneyland Annual Passholder Official Facebook page feedback, look at Disney fan forums/chat rooms, check out Disney fan blogs or ask any other Annual Passholder for more real life feedback on the DISNEYLAND® Resort Annual Pass program, news and events. We will be happy to tell you how we feel, both positive and negative.

I look forward to your sincere and heartfelt and personalized response to this very personal letter.

Carolyn Hoagland

This is Disney’s Response That I Received 6/8/7

Dear Ms. Hoagland:

Thank you for your continued correspondence with the DISNEYLAND® Resort.

We regret that you were not satisfied with our original response to you.
Your comments concerning your visit are appreciated. Please know that
comments such as yours are taken into consideration and we can assure
you they have been shared with the appropriate management for their
review.

Again, thank you for contacting us. Comments such as yours are welcomed
in that they assist us in evaluating our operation and our success in
generating happiness for our Guests.

Sincerely,

In ClosingThis final letter I tells me I finally got someone attention. I believe they are starting to listen. Do I think that Disney fully heard or will make a change? No! I need your help! Disney needs to get more heart felt letters.
If you find Disneyland response and the recent price hikes ridicules as I do and feel the same way that I do about how they are treating their guests then please sent Disney a letter! Here is a link to where you can send it.